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The Jerusalem Show, Outside the Gates of Heaven

The Jerusalem Show (‘Ala Abwab Al Janna) borrows its English title from the vivacious and atypical formats of the Saturday Night Live show and the Muppet Show, whereas its Arabic title ‘Ala Abwab Al Janna (Outside the Gates of Heaven) references the sacramental veneration that is bestowed on Jerusalem. A similar ludicrous dichotomy is ostensible to Jerusalem’s inhabitants (including us at Al-Ma’mal Foundation). Read more

The Jerusalem Show, Edition 0, Partners  
The Jerusalem Show, Edition 0, Events

(0.1) Akram Halabi / (0.1) Basma Al-Sharif / (0.1) Elisabeth von Samsonow / (0.1) Emily Jacir / (0.1) Hanna Farah- Kufer Birim / (0.1) Henrik Placht / (0.1) Inass Yassin /
(0.1) Jawad Al-Malhi / (0.1) Judy Price / (0.1) Leopold Kessler / (0.1) Luchezar Boyadjiev / (0.1) Manar Zuabi / (0.1) Mohammad Al-Hawajri / (0.1) Nathalie Retivoff /
(0.1) Nida Sinnokrot / (0.1) Oraib Toukan / (0.1) Peter Riedlinger / (0.1) Phil Collins / (0.1) Roza El-Hassan / (0.1) Samir Srouji / (0.1) Sliman Mansour /
(0.1) Sophie Elbaz / (0.1) Tarek Al-Ghoussein / (0.1) Wafaa Yasin / (0.1)Jumana Manna / Alban Biaussat / Anne-Marie Filaire / Ayreen Anastas /
Desiree Palmen / Emily Jacir / Faten Nastas / Jean-Luc Vilmouth / Khaled Hourani / Larissa Sansour / Marrio Rizzi /
Mohanad Yacouby / Nabil Annani / Naoko TakaHashi / Nikolaj B.S. Larsen / Rula Halawani / Silman Mansour / Surekha /
Tayseer Barakat / Vera Tamari / Walid Maw'ed / Zeyad Dajani /




99 Red  White Green Black Balloons Naoko TakaHashi

99 Red White Green Black Balloons

“99 Red White Green Black Balloons”(2007): In her installation of balloons for the Jerusalem Show, Naoko Takahashi carefully chooses the colours of the balloons to represent the colours of the Palestinian national flag in order to make direct representation of Palestinians and the extensive lack of freedom they face on physical movement and on human rights. Naoko utilizes three rooms for her installation, arranging each balloon colour in a separate room. The artist focuses on the theme of  the 'exhaustive state' that comes from having to live in repressed conditions through her presentation of balloons which have been blown up using helium thus enabling them to rise high to the ceiling's surface, only to later begin a slow dissension to the floor. TakaHashi invited visitors to walk around the balloons that had eventually fallen to the ground, and to witness the balloons situated high in their restricted corners, unable to fly any further, (alluding to the restrictions of Palestinians imposed upon them due to Israeli/Palestinian conflict). The title of TakaHashi's work was deliberately adopted from the name of an eighties German protest song by Nina, who sang about balloons rising to the sky only to be shot down by military forces.  The installation was created at the Centre for Jerusalem Studies, The Mamluk Hammam el Ein, Suq Al-Qattanin, Old City.




99 Red  White Green Black Balloons    99 Red  White Green Black Balloons    99 Red  White Green Black Balloons    99 Red  White Green Black Balloons   

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